Kunstgruppe GOTTLIEB

The art group kunstgruppe GOTTLIEB is well known for their innovative genre-crossing and boundary-breaking artworks and their clear political stand.

Their activities include fine art, theatre and music in which they use without exception their own compositions, poems, dramas and choreographies. Well-trained and experienced in these different disciplines, their work guarantees a high standard of quality.

One exciting aspect of the art of kunstgruppe GOTTLIEB is the manner in which they seek to invite and include spectators to take an active part in the artworks. By bringing together people from different fields of activities, intellectual backgrounds and social classes, the artists are able to widen the range of consciousness and political thinking of the participants.

 
Selection of previous projects
Bauhaus Theater (theatre), Dessau
Dark art in der Kargheit
performance and music corresponding to the architecture of BAUHAUS
ZaunKlang
Soundinstallation in open space, Berlin
Mexico
Tour
Round crossroads in the centre of Berlin including 6 department stores and 400 sq.m gallery
Breakout - Freeing the Objects
total gallery space, interactive artwork and exhibition
Museum <The Store of Berlin >/ Nuclear shelter, Berlin
Exil Café
travelling installation with temporary activation and public interaction
Breitscheidplatz / Gedächtniskirche, Berlin
Step Into My Shoes!
Installation with public interaction
Cultural Capital of Europe 2010
cross-municipal total work of art
Galerie Kunst-Zeit, Berlin
Ansichten, Views
Installation / communication project
Galerie stil und bruch, Berlin
Geschlossene Gesellschaft !!"
Exhibition with public interaction and concert
Kino International, Berlin
Presentation
installation involving actors and performance
Containerbahnhof der Deutschen Bahn, Berlin
Secret Places II
opening up new art spaces
(television ARD and documentary for cinema)
Bauhaus, Dessau
Dark art in der Kargheit
performance and music corresponding to the architecture of BAUHAUS
Akademie der Künste (Academy of Fine Arts), Berlin
Im Neonlicht
performance and concert for "La cite celeste" Oliver Messian
Eight Avenue, New York
Armut als Schutz
performance in open space
theater im parKHaus, Berlin
Exklusive
music and communication project
Zeiss Großplanetarium(planetarium), Berlin
The Devil
light and slide installation with music performance
Hau 2, Hebbel am Ufer(theatre), Berlin
Heirs of the present
art-theatre project
Polonicum, Polish Institute for Culture, Berlin
The War, The Medias, The Beginning
installations
Alexandra Palace, London
world premiere of Find The Net
worldwide installation
Magistrale, Berlin
presentation - documentation
Find The Net in the first 10 countries
Art magazine berliner 40 Berliner
network project / documentation and concept
University of London Union, London, UK
Beauties
concert
Schaubühne am Lehniner Platz, Berlin
Find
installation and concert as part of international theatre festival
Dark art in der Kargheit
ZaunKlang
ZaunKlang

Soundinstallation in open space (Kurfürstenstraße 53 — 55, Berlin) concept and composition: kunstgruppe GOTTLIEB

Winner of the competition Klangraum (Soundspace) Kurfürstenstraße Competition commissioned by Quartiersmanagement Magdeburger Platz in cooperation with the University of Fine Arts Berlin / UdK

(Prof. Daniel Ott, composer, Institute for Contemporary Music of UdK and Dr. Martin Supper, UNI.K. — UdK Studio for Sound Art and Sound Research)

Mexico
Centro Mexicano para la Musica y las Artes Sonoras CMMAS, Michoacan, Mexico
Find The Net / Raum Ich
instalaltions, sound instalaltion, sound-video installation, performance
Centro Nacional de las Artes CENART, Mexico City
La Caja del Sr. MonDonSanto
Installationperformance
Conservatorio de las Rosas, Morelia, Mexico
Public Relations
performance in concert
Liceo Michoacano, Morelia, Mexico
Remote Controlled
performance
El Chopo, Mexico City
Underground Girl
concert at the El Chopo Rockshow
Mexico Find The Net Mexico Find The Net Mexico Find The Net Mexico Find The Net Mexico Find The Net Mexico Find The Net Mexico Find The Net Mexico Find The Net

Centro Mexicano para la Musica y las Artes Sonoras CMMAS, Michoacan, Mexico
National Centre for Music and Sound art

Find The Net / Raum Ich

installations, sound installation, sound-video installation, performance in cooperation with CMMAS, Michoacan, Mexico and the ministry of cultural affairs of the federal state Michoacan, Mexico

documentary film report: Zakatito Films

La Caja del Sr. MonDonSanto La Caja del Sr. MonDonSanto La Caja del Sr. MonDonSanto La Caja del Sr. MonDonSanto La Caja del Sr. MonDonSanto La Caja del Sr. MonDonSanto La Caja del Sr. MonDonSanto La Caja del Sr. MonDonSanto

Centro Nacional de las Artes CENART, Mexico City
National Centre of Fine Arts, Mexico City

La Caja del Sr. MonDonSanto

Installationsperformance

in cooperation with Centro Nacional de las Artes CENART, Mexico City and Centro Nacional de Investigatio, Documentacion e Informacion de Artes Plasticas CENIDIAP, Mexico City

photos: Lucas Emmanuel Diaz

Public Relations Public Relations Public Relations Public Relations Public Relations

Conservatorio de las Rosas, Morelia, Mexico National Academy of Music, Morelia, Mexico

Public Relations

performance in concert

choreography, words, scenery, musicians and actors: kunstgruppe GOTTLIEB
in cooperation with Conservatorio de las Rosas, Morelia, Michoacan, Mexico and the ministry of cultural affairs of the federal state Michoacan, Mexico and with the friendly support of Tarkus Rock und Gotika Producciones

Fotos: Adid Jiménez (Periodico Provincia / daily newspaper) and Farid Solorzano

Remote Controlled Remote Controlled Remote Controlled Remote Controlled Remote Controlled Remote Controlled Remote Controlled Remote Controlled

Liceo Michoacano, Aquiles Serdan 666, Morelia, Mexico National high-school, Morelia, Mexico

Remote Controlled

performance with 13 actors in open space situation

concept, choreography, scenery, direction: kunstgruppe GOTTLIEB on stage: 13 actors of Liceos Michoacano (dancing / acting /video / photo classes) and kunstgruppe GOTTLIEB

in cooperation with Liceo Michoacano, Morelia, Mexico and the ministry of cultural affairs of the federal state Michoacan, Mexico

A very special thank you to: Maestro Manuel Martin Oramas Diaz (General Director Liceo Michoacano) und Jimena Tena Davalos

with: Jimena Avalos Placecia, Julia Calderon Cendegas, Fernando Carrera Vega, Mayra Flores Diaz, Viviana Garcia Caldera, Isaac Hernandez Plata, Jose Eduardo Martinez Salinas, Emilio Millan Sanchez, Claudia Reyes Bobadilla, Juan Carlos Reyes Hernandez, Montserrat Salgado Calderon, Yabin Torres Carrillo, Fermin Valenzuela Franco

photos: Yabin Torres Carrillo

Underground Girl Underground Girl Underground Girl Underground Girl Underground Girl

El Chopo, Mexico City

Underground Girl

concert at the El Chopo Rockshow, Mexico City

incl. one-hour Interview and GOTTLIEB dark art music at the radioshow Dark Wave from Martin Garcia of the national broadcast Radio Ciudadana, Mexico City

in cooperation with Radio El Chopo, Mexico City and Radio Dark Wave, Mexico City

photos: Lucas Emmanuel Diaz, Aida Brambilla, Miguel Angel Trejo Mancilla, kunstgruppe GOTTLIEB

Friends and Fans
Friends and Fans

Juan Carlos Trejo
Rock Promoter
Radio and TV Moderator
ABS-TRAXa

Outbreak - Freeing the Objects
Outbreak - Freeing the Objects
An overall work of art in the absolute gallery

The art group kunstgruppe GOTTLIEB exposes with this work of art a concept of globally carried out gratification of greed which despises human beings and their lebensraum, a concept which seems to be unstoppable as it is carried through with the assistance of its own victims. The work art Outbreak — Freeing the Object counters this concept and is set up as a subject for informing the people.

Realization:
In spite of the ease of <Outbreak — Freeing the Objects>, it is nevertheless a radical work of art, which initially exposes itself in an animating and light- heartedly playful manner to all participants, only to make the participants in a second step, almost accidentally, temporally delayed and in a rather sudden way, aware of their own societal position and their global responsibility.

Objects which are predestined for a minimal lifespan and thus for destruction will be withdrawn from a devastating, increasingly accelerating cycle of production — selling — short-lived use — waste disposal. Afterward, having been freed by the means of art, they will find themselves in a new and lasting mode of being.

Right around the crossroads at Potsdamer Straße / Kurfürstenstraße in the centre of Berlin 6 department stores will be included as selling agencies of the objects to be freed. Representative for each block of houses that enclose the crossroads, the participating department stores will be: Woolworth (north-west), Zeeman and Postdamer Shop (north-east), Rossman and Bolle Supermarkt (south-west), and Best Supermarkt (south- east). The crossroads and its separating notion serves here as a symbol of the decision to follow a new direction. By including all 4 points of the compass, the work of art points further at its global political relevance and orientation.

Kunstgruppe GOTTLIEB will choose 40 different objects which are put up for sale in the department stores and which will be available in a number according to the day's offer of the respective selling agency in order to withdraw these objects from their cycle within the market (production — selling - short-lived use - waste disposal).

On the scheduled day posters in large formats will be put up at the front of the participating department stores and point at the art project. In these stores little signs, similar to the signs on regular offers, will mark at each stand the possibility to free an object, that is its potential to turn into art.

In order to actively change the general perception of the object’s mode of being, kunstgruppe GOTTLIEB will give it the protected status of art. In this way the earlier disposal-oriented hopelessness of the object is now neutralised. Being freed from its first and man-made destiny as a temporarily foreseeable mode of being, an existence which concludes with the disposal as waste, the object leaves the lowest possible class of its existence at this point of time.

Kunstgruppe GOTTLIEB then asks the visitors to participate actively in the freeing of the object. The visitors can directly extract one of the chosen objects from its earlier surroundings, that is from the department stores. They go right away to the objects’ selling agencies, start to search for one of the objects and purchase it at the regular market price, the price of the department store.

Now the actual freeing act takes place, as the object is shortly handed over to the artists, who then transfer it to the world of art: The object will be signed by the artists and thus ennobled as a work of art at a so-called wandering freeing-table, with which the artists will appear in different places of the momentary gigantic gallery at the determined points of time. After having actively intervened with the commodity market, the visitor receives a lasting and highly explosive work of contemporary art.

In this manner participation will only be possible on the day of the execution of the art project and will be further restricted to the hours between the activation of the work of art and the closing time of the department stores (3 p.m. ~ 8 p.m.). After 8 p.m. and in the future the purchase value of any one of the objects will be oriented at the prices of the art market.

The number of copies of each individual object follows the preceding preparedness of the visitors to participate in the overall work of art. Ina broader sense, this preparedness directly displays the willingness of the people to bring about a change within the dominating system, a seismograph for the societal sensitivities within a distinct, in this case culturally-minded social stratum.

Before the objects will find their way into conventional galleries and museums, they will be exhibited on that same day in a 400 sq.m. room at Potsdamer Strate 115, all of them in one place and staged by kunstgruppe GOTTLIEB. After 8 p.m. interested visitors can later celebrate the installation of the objects, which are now freed and prepared to be exhibited. A ceremony for the artistic work "Outbreak — Freeing the Object” will begin in the presence of the artists at 9 p.m.

"Outbreak — Freeing the Object" is a work of art by which every one can become an art collector at a bargain price as low as 50 cents but as an owner of art who contemplates on and internalises the purchased work of art cannot permanently escape its underlying philosophical and political content.

Exil Cafe Koffer
Exil Café

An art event by the Art Group GOTTLIEB.

Exile Café is an art work that comes into being through the active participation of its guests and is about to set off on a long journey. It’s an installation which, when activated, becomes a meeting point and a place for communication, where the people present and their interactions are part of the art.

The artists have taken the notion of Exile onto a spiritual level. Exile Café speaks to all those who find themselves in spiritual exile, or feel they are strangers in their own land, because they do not belong and cannot relate to this increasingly profit-oriented society. Exile Café offers all such people a temporary home.

Participants/guests are invited to contribute an object, which in their eyes represents their spiritual home, and to place it in one of the forty suitcases that are set up in the café. It might be a photo, a poem, a book, a piece of music, a trinket or whatever else. The contents of the suitcases will remain a constant part of the artwork, which the artists will document and later publish in a catalogue.

The actual café, with tables and a bar, is set up around the trunk installation; a meeting point in a foreign world where friends can get together as well as meet new people.

The Art Group GOTTLIEB is present throughout the performance/activation of the café. Those who visit the café are welcome to approach the artists and get to know them. The invisible space between the contributed objects bears witness to these personal connections.

The Art Group GOTTLIEB proposes to open its ,spiritual trunk" in the form of a short concert — GOTTLIEB dark art music — as music, which is far from the mainstream or subsidized avant-garde, it embodies a form of exiled being itself.

Exile Café is a travelling artwork which will be performed in different places throughout the world. The only constant element are the many trunks and their content. In accordance with the particular circumstances in each place or country, the furnishings of the café will be organised by the artists in association with the people in the respective places in which Exile Café is activated. All the human relations that are created in the process are understood to be part of the work, as traces that remain even after the café has moved on.

Each station on this spectacular journey will be an exceptional place, which in its form, function or particular features evokes feelings of isolation and alienation or temporary security.

Exile Café’s first venue, its place of departure, so to speak, was a six week installation which was activated four times in the atomic bunker at Kurfurstendamm in the heart of Berlin, which is part of the museum THE STORY OF BERLIN.

Perfectly set up to cater for a catastrophe, the bunker represents in vivid form a temporary escape — cut off from a threatening world outside which was once people's home, the bunker also symbolizes the human madness of self-annihilation.

The Berlin public greeted the exhibition with much enthusiasm. A large number of sometimes very personal objects were collected in the cases.

One of the next ports of call for the Exile Café will be the city theatre of a Polish port. In this location the backdrop for the art work will be a multi-levelled steel construction, which looks something like an enormous prison. During the activation of the Exile Café, the extravagant scenery will provide a stage for a cycle of plays by Polish authors who died in exile. The bay of Danzig is also known as a place which in the past many people who were driven into exile fled to in order to escape by sea.

Each new location for the art work presents a challenge to the Art group GOTTLIEB and their work. Each time, the work is developed and complemented by different activities that are thought out anew to correspond with the particular framework of each place. In Berlin, for example, an ambassador's table was set up in the café and all the ambassadors, who are seated in Berlin, were invited. In addition, so-called speaker ladders were erected to offer guests the opportunity to hold a spontaneous speech to the gathered crowd. In Poland, a collaboration with actors, who will perform under the artists’ direction, is planned.

The exile café will then move on to an exceptional venue in the Ruhr area in Germany where it will be activated on three different levels. Taking into account the particular acoustic dynamics of the location, a new composition will be performed there for the first time. In addition, the art group GOTTLIEB is currently planning to stage the exile Café in a derelict tram depot. Here, a few days before the café is activated, the artists plan to travel with some of the cases on a tram through the city thus directly confronting the city inhabitants with the unusual art work. A further city project involves a choreography with 40 dancers who will be embedded into the activation of the Exile café.

Exile Café combines elements of plastic and dramatic art, music and a social event. Through its interdisciplinary character and socio-political relevance, exile café speaks to a wide range of different groups of interest. Its own website provides the curious with detailed information regarding the content and performance of the art work: www.kunstgruppeGOTTLIEB.de.

Exile Café is an artistic idea that materializes into an art work through the interaction of place, time, meeting and exchange, recognition and transmission.

Step into my shoes Step into my shoes
Step Into My Shoes!
An interactive installation by kunstgruppe GOTTLIEB in support of the victims of deportation performed in a central public space Breitscheidplatz / Gedächtniskirche, Berlin

Ten identical pairs of rubber boots are lined up in pairs facing the flow of pedestrians. Representing the innumerable victims of deportation and people held on remand, each pair of boots is associated with the name of one person's particular fate. That name is written in chalk on the pavement in front of the respective pair of boots.

The colour and shape of the boots (army green, 42 cm high) evoke the military, power and violence. The boots’ material (rubber) is normally used to wade through swamps and dirt, which is to be understood metaphorically here. But the boots also stand for the social exclusion of those who stand in them.

Performed in a public space, this ghostly impression evoked by this installation works like a temporary memorial to the people who are no longer here (watching the passers-by in their absence) and confronts those hurrying by with the problem of the practice of deportation in our country.

Furthermore, spectators are invited to step into one of the victim's shoes, thus placing themselves in the deported person's position in order to begin to relate to that person’s fate. The passer-by may choose to step into one or several of the pairs of boots, but without moving the boots from their spot on the pavement.

Whilst standing in the “other's” shoes, the participant in this installation is handed a document which tells the story of the fate of the victim that particular pair of boots is associated with. The participant remains standing in the shoes whilst he or she reads the text and thus stands out visibly to other passers-by. He thus experiences a form of public interest in his own fate and finds himself confronted with either rejection or sympathy.

The installation (ca. 12 x 3 meters) is set up in a clearly visible and lively space in a public and central city location so as to be seen by a large number of people.

Cultural Capital of Europe 2010
Polonicum Polonicum Polonicum
The War
Polonicum Polonicum Polonicum
The Medias
Polonicum Polonicum Polonicum Polonicum Polonicum Polonicum
The Beginning
Find The Net
Do it!

Take part in the artistic process of the worldwide installation <Find The Net> wherever you are.

Continue this artwork in your home country! Tie a net to whatever you think appropriate, in a private or public space, for instance in a famous location in your city. It might be very tiny or enormous, single threads or a large quantity. Choose any white coloured material you like. Let your imagination and creativity run free!

A worldwide reminder of the perfidious strategies of imperial politics will come to life. From now on, there will be at least one part of the net at any place of the world — a symbol of sharing vigilance.

Each of the individual installations will be temporary. So take photographs, make films, draw sketches, write down the history of your work, and record your thoughts about it (poems, reports, songs...?) and the reactions that the work provoked. Send these to Kunstgruppe GOTTLIEB. We will be in touch with you! All the documents will be collected and exhibited in different cities.

Contact journalists in different fields (cultural magazines, politics, local affairs....).and encourage them to write about the project so that people are informed and invited to reflect on the issues raised. It would be good to send us these results and if journalists would like to get in contact with us, please give them our website and e-mail address.

For questions or advice feel free to contact us!
Best wishes
Kunstgruppe GOTTLIEB

Remember: in some public places, permission may be required for the net to be installed, even if for a very short time or if you do it at night (perhaps just for a photo),

Find The Net

<Find The Net> is an artwork that takes place in a variety of forms in different parts of the world — a piece that invites you to reflect upon your own role in relation to the perfidious strategies of imperial politics.

The image of a stylised spider's web is evoked by white coloured thread tied or painted on different places in a variety of forms.

The spider's web serves as a symbol for the worldwide material and ideological intertwinement of capital: A net that threatens to strangle the cultural and theoretical assets as well as the ethics even of enlightened and critical people.

You are invited to ask yourselve: how deeply caught up am | already in this web? Do | believe the daily news and have trust in the independence of the media? Have | taken on an ethical perspective that is based on the right of the strong, and do I find this quite comfortable and fair? Who and how am | really benefiting with my work? Do | believe that my consuming behaviour and cultural orientation are self-defined? — Find The Net.

In order to emphasize the aspects of covering and effect, white coloured thread is used which in the West is a sign of innocence but in other parts of the world also a sign of death.

The image of the net was also chosen to invite analogies to the predatory behaviour of spiders. The media and entertainment world are also experts at anaesthetising and paralysing their victims before sucking out their blood!

As a being that never sleeps, the spider also underlines the necessity for us humans to collaborate with others in order to guarantee the possibility of sharing vigilance.

The artwork was started in London by Kunstgruppe GOTTLIEB, since then it is seen in many places of the world.

You are invited to take part in the artistic process of this art work.

Beauties Beauties Beauties Beauties Beauties Beauties
Videos
kunstgruppe GOTTLIEB goalgoal
kunstgruppe GOTTLIEB dangerousdangerous
kunstgruppe GOTTLIEB scissorsscissors
kunstgruppe GOTTLIEB understandingunderstanding
kunstgruppe GOTTLIEB where is my placewhere is my place
Konzerte als Main-Act (Auswahl)

Zeiss Großplanetarium, Berlin
The Devil
Konzert mit eigener Licht-, Laser- und Dia-Installation.

Akademie der Künste, Berlin
Im Neonlicht
Konzert zu "La cite celeste" Oliver Messian

Bauhaus Theater, Dessau
Dark art in der Kargheit
Konzert in Auseinendersetzung mit der Bauhaus Architektur

Kino International, Berlin
40 Berliner
Konzert mit stummen Darstellern und eigenem Bühnenbild

Containerbahnhof der Deutschen Bahn, Berlin
Secret Places II
TV-Mitschnitt ARD 1.Programm
sowie Filmdokumentation (Kinoprod.)

Museum <The Story of Berlin> / Atomschutzbunker
Am Kürfurstendamm, Berlin
Exil
Konzertserie mit eigener Bühnen- und Licht-Installation

Festival Internationale Neue Dramatik
F.I.N.D. 4
Schaubühne am Lehniner Platz, Berlin
Find The Net
Konzert

House Of London Union, London, GB
Beauties
Konzert

HAU 2, Hebbel am Ufer, Berlin
Erben Der Gegenwart
Musik-Theater-Kunst Projekt

Polonicum, Berlin
Find The Net
Konzert

Press commentaries

A voice that won't leave your head!

..like the dark, cynical soundtrack to a the soul life of stranded existences, the music of GOTTLIEB creeps slowly but surely into the hearer’s mind.
(Berliner Morgenpost)

...it makes these into a sound distinctly its own. A compelling voice, neatly balanced by the guitarist’s cool, classically trained mastery. This group could go far.
( N.E.U. Boston)

The music you hear when the mouth of the pistol tickles your temples. Not easily a digestible, but a highly original trip. Balm for dark hours.
(Tip, Berlin)

...the outstandingly powerful, incantatory music gave the whole event a mystical quality.
(Vogtland Anzeiger)

...at once powerful and lyrical. GOTTLIEB had cast a spell after just a few notes. An inside tip
(Mitteldeutsche Zeitung)

The voice of GOTTLIEB goes straight to the marrow... a show full of dark passion... unconventional and original
(Freie Presse)

....shady passion made of blood and tears. Songs from the dark side of the moon.
(guide, Berlin)

the whole thing is ghostly and very powerful
(Deutschlandradio / broadcasting)

For those who are looking for something new.
( ARD 1 / television)

Audience

Exciting!
Frank Castorf (director/Volksbühne, Berlin)

It´s spooky, it´s powerful. On the edge. It´s what you know and what you don´t know.
Alice Lagaay (Philosophin)

There's a very particular kind of beauty in it. What fascinates me is the moment of irritation, where | am challenged and must remain awake.
Klaus-Peter Kirchner (artist)

Fantastic. I've never heard anything like it.
F.M. Einheit (musician / Ex Neubauten)

Texts in poetic English that remain with you for a long time....perfectly combined with the music. A unique form. A crazy presence.
Jörg von Stein (art historian)

It´s a drama. The lyrics reminds me of W.H.Auden.
Kitson Smith (Cross-Cultural Management ESCP-EAP)

I liked it a lot.
Christoph Schlingensief (director/theater, film)

The resonances of the guitar seem to live a life of their own and at the same time enwrap the vocal atmosphere. It's like a path into a demonic underworld.
Andreas Schwarz (actor)

I even listened to it three times!
Einar Schleef (director)

Astonishingly beautiful. Very unique.
Erich Rauschenbach (caricaturist)

Music and texts that simply leave a mark.
Edda Kockro (businesswoman)

From: Kunst- und Kulturmagazin berliner #2
kunstgruppe GOTTLIEB
kunstgruppe GOTTLIEB
presents
GOTTLIEB dark art music
 
Biographical stations
- Studies at University of Fine Arts, Berlin (Universität der Künste Berlin) and University of Music, Cologne (Hochschule für Musik Köln)
- Realization of numerous genre crossing Art, Music and Theatre projects, shows and works in museums, concert halls and theatres all over the world, e.g. London, Berlin, Boston, New York, Mexico City (see projects)
- Inventing numerous new temporary artspaces, e.g. goods stations, warehouses, atomic shelter, atlantic ocean
- Musical, linguistic and audio art projects for radio and television
- Television-, Radio- and Film Features about the work of kunstgruppe GOTTLIEB ARD/das Erste, Deutschlandradio, J.Hering Filmproduction, Zakatito Films Mexico, National Television of Spain, Mexico, Poland and France
- Interdisciplinary Exhibition- and Concert Tours, e.g. Spain, Mexico
- Appearance at festivals for Music, Art and Theatre
- Prominent Cooperations inter alia with: Sir Yehudi Menuhin, H.HI. Dalai Lama, Ernesto Cardenal, Gunther Grass, Einsturzende Neubauten
- Official contributions to Cultural Capital of Europe, Essen and Dortmund
- USA residence, supported by Prof. |. Hedges, Northeastern University, Boston, Mass.
- Travel scholarship to Great Britain with K.A. Smith Art-support-foundation, Oxford
- Scholarship holder of foundation Animatica, Poland
- Award won at international composing competition, dtv Passau, Germany
- Award won at competition Klangraum (Soundspace), Berlin in coorperation with the University of Fine Arts Berlin / UdK, Institute for Contemporary Music, UNI. K. - UdK Studio for Sound Art and Sound Research
TODO
TODO
TODO
Find The Net - worldwide installation

A constant worldwide reminder of the perfidous strategies of imperial politics by kunstgruppe GOTTLIEB.

An artwork which is growing day by day by the participation of critical people from all over the world.

To be a part of it is easily possible! See below: Find The Net / Do it!

Find The Net — worldwide installation started in London, GB by kunstgruppe GOTTLIEB and since then, it has spread out into the world. There are documents of it (photos, films, press reports) from the United States, Spain, France, Germany, England, Switzerland, Turkey, Poland, Argentina and China.

Find The Net

<Find The Net> is an artwork that takes place in a variety of forms in different parts of the world — a piece that invites you to reflect upon your own role in relation to the perfidious strategies of imperial politics.

The image of a stylised spider's web is evoked by white coloured thread tied or painted on different places in a variety of forms.

The spider's web serves as a symbol for the worldwide material and ideological intertwinement of capital: A net that threatens to strangle the cultural and theoretical assets as well as the ethics even of enlightened and critical people.

You are invited to ask yourselves: how deeply caught up am I already in this web? Do I believe the daily news and have trust in the independence of the media? Have I taken on an ethical perspective that is based on the right of the strong, and do I find this quite comfortable and fair? Who and how am I really benefiting with my work? Do I believe that my consuming behaviour and my consuming behaviour and cultural orientation are self-defined? - Find The Net.

In order to emphasize the aspects of covering and effect, white coloured thread is used which in the West is a sign of innocence but in other parts of the world also a sign of death.

The image of the net was also chosen to invite analogies to the predatory behaviour of spiders. The media and entertainment world are also experts at anaesthetising and paralysing their victims before sucking out their blood!

As a being that never sleeps, the spider also underlines the necessity for us humans to collaborate with others in order to guarantee the possibility of sharing vigilance.

The artwork was started in London by kunstgruppe GOTTLIEB, since then it is seen in many places of the world.

You are invited to take part in the artistic process of this art work:

www.kunstgruppegottlieb.de
Do It!

Take part in the artistic process of the worldwide installation <Find The Net> wherever you are.

Continue this artwork in your home country! Tie a net to whatever you think appropriate, in a private or public space, for instance in a famous location in your city. It might be very tiny or enormous, single threads or a large quantity. Choose any white coloured material you like. Let your imagination and creativity run free!

A worldwide reminder of the perfidious strategies of imperial politics will come to life. From now on, there will be at least one part of the net at any place of the world — a symbol of sharing vigilance.

Each of the individual installations will be temporary. So take photographs, make films, draw sketches, write down the history of your work, and record your thoughts about it (poems, reports, songs...?) and the reactions that the work provoked. Send these to kunstgruppe GOTTLIEB. We will be in touch with you! All the documents will be collected and exhibited in different cities.

Contact journalists in different fields (cultural magazines, politics, local affairs....).and encourage them to write about the project so that people are informed and invited to reflect on the issues raised. It would be good to send us these results and if journalists would like to get in contact with us, please give them our website and e-mail address.

For questions or advice feel free to contact us!
Best wishes
kunstgruppe GOTTLIEB

Remember: in some public places, permission may be required for the net to be installed, even if for a very short time or if you do it at night (perhaps just for a photo).

Find The Net - worldwide installation
On stage

Being invited for guest appearances in different cities of the world, the artgroup kunstgruppe GOTTLIEB realize international Find The Net art projects.

One exciting aspect of their work is the manner in which they seek to invite and include people to take an active part in the artwork.

As guests kunstgruppe GOTTLIEB appear by exhibiting, teaching and performing.

The performing art of kunstgruppe GOTTLIEB goes beyond the traditional form of performance. It includes all forms of acting on stage (theatre, concert, performance) without being afraid to interweave the different fields. Sung and spoken words as well as classical performance, live-music and living-installation are created into a whole, constituting a new form of art work.

Kunstgruppe GOTTLIEB use without exception their own compositions, poems, dramas and choreographies.

Moreover, for Find The Net, the art group create during their performance-drama a live installation on stage. Although at first temporary, the installation and all that happens on stage, will go on into the future to become a constant part of the worldwide installation — Find The Net.

The duration of this art piece on stage, to be created like a complete drama, last about 90 minutes. It will be developed exclusively to match the conditions of each particular institution.

Main elements of the performing act of kunstgruppe GOTTLIEB include and clearly correspond to elements of an exhibition which will be realized in other rooms in the city.

Find The Net - worldwide installation
Exhibitions

As guests in foreign cities all over the world, the art group kunstgruppe GOTTLIEB appear by performing, lecturing and exhibiting. Their work include installations in public spaces and exhibitions in galleries, museums and other spaces which are suitable for it.

Find The Net Find The Net Find The Net Find The Net Find The Net Find The Net Find The Net Find The Net Find The Net Find The Net
In open spaces

For some of their installations in open spaces, kunstgruppe GOTTLIEB decided to work in a very minimalistic way. The almost fragile and lyrical appearance of them, seem to be in contrast to the strong political issue of the artwork. This draws the spectators attentions to a deeper look into himself.

While looking at the documents (fotos) of the artists work, it is intended to notice how easy it is to take part in the artistic process of this artwork. The only thing which is necessary, is to make a clear decision.

Find The Net Find The Net Find The Net Find The Net Find The Net
In galleries, museums and other spaces

The art group kunstgruppe GOTTLIEB realize installations which adapt to the space offered for an exhibition. They achieve a fusion of the space and the artwork Using mainly white coloured thread and should the occasion arise objects which the rooms will offer, kunstgruppe GOTTLIEB would create a strong image according to the serious issue, concept and idea of Find The Net — worldwide installation.

By using also elements of the performing act, which will be recognized by the audience, kunstgruppe GOTTLIEB succeed in creating a clear link between performance and exhibition.

On the other hand, documents relating to fragments of the installation from other parts Of the world are shown. This makes it possible to discover and to feel the unity with others by participating in the artwork and sharing vigilance in a figurative sense.

Find The Net - worldwide installation
At the university

Being part of the artwork Find The Net — worldwide installation under the guidance of the art group makes it possible to learn a lot; not only about the field of art but also about one's own activities, whatever they may be, in relation to the personal and global surounding we are in.

The teaching of kunstgruppe GOTTLIEB is aimed at students of different fields: fine art, film, theatre, performance, politics, philosophy, public relations and research. The lessons follow a practical and active method The main issue of Find The Net is not to accuse but to provoke a deeper look into ourselves, which might contribute to changing ways of behaving and thinking.

Find The Net sponsorship Find The Net sponsorship Find The Net sponsorship Find The Net sponsorship
Find The Net - worldwide installation

The revolutionary and provocative character of the artwork demands a clear political stand.

As godfather of Find The Net - worldwide installation Frank Castorf, theatre director of Volksbühne Berlin, stands behind the artwork of kunstgruppe GOTTLIEB as an active part.

Find The Net Foto Find The Net Foto Find The Net Foto Find The Net Foto Find The Net Foto Find The Net Foto Find The Net Foto Find The Net Foto Find The Net Foto Find The Net Foto Find The Net Foto Find The Net Foto Find The Net Foto Find The Net Foto Find The Net Foto Find The Net Foto Find The Net Foto Find The Net Foto Find The Net Foto Find The Net Foto Find The Net Foto Find The Net Foto Find The Net Foto Find The Net Foto Find The Net Foto Find The Net Foto Find The Net Foto Find The Net Foto Find The Net Foto Find The Net Foto Find The Net Foto Find The Net Foto Find The Net Foto Find The Net Foto
webmaster@kunstgruppergottlieb.de
Legal notice: This Internet site contains links to external sites, which are not under the control of kunstgruppe GOTTLIEB. Therefore, we are not responsible for the contents of any linked site. kunstgruppe GOTTLIEB is providing these links to you only as a convenience, and the inclusion of any link does not imply endorsement by kunstgruppe GOTTLIEB of the linked site.